7.05 Yours
Truly:
Finding ‘alone time’ is difficult for Jordan and Woody,
whether it’s in Boston at Halloween or in London where
copycat murders set the scene for a dangerous encounter
for Jordan. A witch’s curse and the threat of a new
Ripper aptly coincide with Halloween.
7.06
Strange Bedfellows:
It’s election time, Renée Walcott has run into some
trouble and Kate seems to be the only one who can help.
7.07
Reality Bites:
Seely’s past comes up at him as he investigates the
death of a celebrity at a Reality TV Dance Show. Jordan
finds a new enthusiasm for School Careers Days when her
graphic presentation captures the imagination of a Fifth
Grade class.
7.08 Up in
Smoke:
Bug and Lily’s plans go astray when a child’s mistake threatens their
lives and the lives of their friends. Jordan and Woody
come to a moment of truth.
7.09
Mightier:
In the best traditions of film noir, the crew from the morgue are cast
in a plot that involves a seedy detective, a femme
fatale, a diamond bracelet, a gangster and a nightclub.
7.10
Charmer:
Finding Woody becomes the imperative as a tale of
charlatans and snakes unwinds. While those at the morgue
work desperately, Jordan struggles to come to terms with
her knowledge of the dangers a cop must face.
7.11 Long
Way Down:
While Garret puzzles over seemingly contradictory
evidence of the cause of a death, Woody is deeply
affected by the murder of a young police officer. His
relationship with Jordan could depend on how he resolves
issues surrounding this event.
7.12
Charmer:
When a bell ringer meets an untimely death, Jordan must
convince Eddie Winslow that a headache is not a clue to
solving a murder.
7.13 Auld
Acquaintance:
Yes – it IS the Season, and it has its impact on many.
Surprises, decisions and movements towards
reconciliation all contribute to the happiness of the
season.
7.14 Boys
Will Be Boys:
In a Crossing Jordan/Las Vegas crossover episode,
it’s the “boys” versus the “girls”. It would seem that
Woody and Jordan think differently on a number of levels
and a couple of proposals are the cause of some
concern.
7.15 Over
The Rainbow:
Jordan suddenly and without warning departs Boston for
Sydney, Australia, leaving Woody confused and angry. He
has his own problems, also, as Nigel and he must solve
an apparent murder, a crime made the more puzzling when
the perpetrator is identified as not being human.
7.16 There are More Things (Than Dreamt Of):
Jordan and Woody rush to Florida, having received
information that Max has been seriously injured. The
morgue team is horrified when a case they are working on
reveals the extent of the danger that both Jordan and
Max face.
7.17 In
Your Philosophy:
Revenge: fearful, cold, silent. What James plots is not
easily dismissed. In Florida because of the attack on
Max, Jordan and Woody must outwit someone whose life is
controlled by the kind of blame and hatred that leaves
destruction in its trail.
7.18
Murder Most Foul:
When Woody and Jordan investigate a series of deaths at
a Renaissance Fayre, there’s more happens on stage than
a Shakespearean sword fights. Bug and Lily investigate
a tragic case of misunderstanding and death in a teenage
romance.
7.19 Holy
Water:
Woody, Jordan and Nigel work together in a case that
involves Father Paul, which causes some unexpected
tension between Jordan and Woody. The retirement of one
detective also causes friction among other detectives at
the BPD.
7.20 XX:
Two murders, one of a teenage girl and the other of a
young woman, draw the women of Crossing Jordan
together in their determination to bring the killers to
justice. Seely finds unlikely support from Annie Capra
as they investigate one murder and Jordan recognises the
plight of far too many young women in the case she is
involved with.
7.21 Cupid
Schmoopid:
Valentine’s Day brings its surprises as Cupid runs
amok. For Jordan and Woody, and for Bug and Lily,
well-laid plans go astray. Nigel’s plans run foul of
the season.
7.22 Going
to the Dogs:
Kate and Binky accused of murder? A Mime Convention
where no-one will speak out about the death of a Mime?
Nigel and Woody must seek for evidence when it is
neither readily nor openly available.
7.23 :
7.24 :
7.25 :
7.26 :
7.27 :
7.28 :
7.29 :
7.30 :
7.31 :
